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C. David Russell Design

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Scenic and Costume Design for Theater

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C. David Russell Design

  • Scenic Design
  • Costume Design
  • The Enchantment Theatre Company
  • Gallery Exhibitions and more
  • Contact
  • About
Before the sleepwalking scene

Macbeth

MACBETH, Scenic and Puppet Design

By William Shakespeare

Resident Ensemble Players, Newark, Delaware

Directed by Leslie Reidel

Lighting Design: Thomas Hase

Costume Design: Martha Hally

Sound Design: Eileen Smitheimer

In this stylized version of Shakespeare’s Macbeth, puppets were used for the Witches, as well as Banquo’s Ghost and Macduff’s son. The armies were indicated with shadow effects and illustrated on banners. As scenic designer, I was charged with creating an “Elizabethan theatrical machine” to propel the horrific, fast-paced story.

The set consisted of a four-sided unit oriented at different angles to suggest distinct Scottish locations. This actor-driven sculptural unit was designed to spin easily in either direction. The revolving motion of the set served to illustrate Macbeth’s world as it spiraled out of control.

I chose to surface the unit with wood planking to evoke the old world while maintaining a contemporary visual attitude. The theatrical machine included a massive angled surface to suggest the exterior. Another element included an above space with doorways for interior scenes. 

Macbeth

MACBETH, Scenic and Puppet Design

By William Shakespeare

Resident Ensemble Players, Newark, Delaware

Directed by Leslie Reidel

Lighting Design: Thomas Hase

Costume Design: Martha Hally

Sound Design: Eileen Smitheimer

In this stylized version of Shakespeare’s Macbeth, puppets were used for the Witches, as well as Banquo’s Ghost and Macduff’s son. The armies were indicated with shadow effects and illustrated on banners. As scenic designer, I was charged with creating an “Elizabethan theatrical machine” to propel the horrific, fast-paced story.

The set consisted of a four-sided unit oriented at different angles to suggest distinct Scottish locations. This actor-driven sculptural unit was designed to spin easily in either direction. The revolving motion of the set served to illustrate Macbeth’s world as it spiraled out of control.

I chose to surface the unit with wood planking to evoke the old world while maintaining a contemporary visual attitude. The theatrical machine included a massive angled surface to suggest the exterior. Another element included an above space with doorways for interior scenes. 

Before the sleepwalking scene

Before the sleepwalking scene

Lady Macbeth reads the letter

Lady Macbeth reads the letter

concept sketch

concept sketch

skull helm 2.JPG
The Witches

The Witches

puppets designed by C. David Russell

The porter

The porter

before Banquo is murdered

before Banquo is murdered

Before the castle

Before the castle

fife1 .jpg
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DSC_0365.JPG
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