• Scenic Design
  • Costume Design
  • The Enchantment Theatre Company
  • Gallery Exhibitions and more
  • Contact
  • About
Menu

C. David Russell Design

Street Address
City, State, Zip
Phone Number
Scenic and Costume Design for Theater

Your Custom Text Here

C. David Russell Design

  • Scenic Design
  • Costume Design
  • The Enchantment Theatre Company
  • Gallery Exhibitions and more
  • Contact
  • About
Show Portal

The Patsy

THE PATSY,  Scenic Design

 

by: Greg Leaming, translated and adapted from Georges Feydeau's "Le Dindon"

Resident Ensemble Players, Newark, Delaware

Directed by: Steve Tague

Lighting Design: Matt Richards

Costume Design: Martha Haley

We chose to realize three distinct rooms in this world premiere production.

Pre-Art Deco shapes and details were used to bring us into the world of 1913 Paris.

I referenced the illustrations of George Barbier to create environments with a graphic quality.

The pink, black, and gold palette was a consistent element whether we were in Vatelin’s elegant apartment, the seedy Hotel Ultimus, or Redillon’s upscale bachelor pad.

The jigsaw puzzle design sustained the tension with the measured placement of thirteen doors. Each door possessed  the comic potential held between the hidden and the revealed, and served as a driving force to push characters together or apart. 

The Patsy

THE PATSY,  Scenic Design

 

by: Greg Leaming, translated and adapted from Georges Feydeau's "Le Dindon"

Resident Ensemble Players, Newark, Delaware

Directed by: Steve Tague

Lighting Design: Matt Richards

Costume Design: Martha Haley

We chose to realize three distinct rooms in this world premiere production.

Pre-Art Deco shapes and details were used to bring us into the world of 1913 Paris.

I referenced the illustrations of George Barbier to create environments with a graphic quality.

The pink, black, and gold palette was a consistent element whether we were in Vatelin’s elegant apartment, the seedy Hotel Ultimus, or Redillon’s upscale bachelor pad.

The jigsaw puzzle design sustained the tension with the measured placement of thirteen doors. Each door possessed  the comic potential held between the hidden and the revealed, and served as a driving force to push characters together or apart. 

Show Portal

Show Portal

photo Paul Cerro

Act 1, the home of Lucienne and Maurice Vatelin

Act 1, the home of Lucienne and Maurice Vatelin

photo Paul Cerro

Act 2, Room 39 at the Hotel Ultiums

Act 2, Room 39 at the Hotel Ultiums

Photo Paul Cerro

Act 3 Redillon's apartment at 17 Rue de Caumartin

Act 3 Redillon's apartment at 17 Rue de Caumartin

Photo Paul Cerro

The fight in Act 2

The fight in Act 2

photo Paul Cerro

Color sketch of Act 1

Color sketch of Act 1

Color Sketch of Act 2

Color Sketch of Act 2

Color Sketch of Act 3

Color Sketch of Act 3

You must select a collection to display.

Powered by Squarespace